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Experimental FX Image Filters: Before & After Examples for All 20 Presets

See all 20 Experimental FX photo filters from the free Image Filters tool, each with a before-and-after comparison, a full applied image and its exact settings.

Experimental FX Image Filters: Before & After Examples for All 20 Presets

This page shows every Experimental FX preset from the free Image Filters & Effects tool on its own: a before-and-after comparison and a full picture with the filter applied. There are 20 filters here, all run at 100% strength on the same sample photo.

Experimental FX presets are the bold ones: unusual colour casts, heavy treatments and effects you would not use every day. They are great for creative posts and album covers. In this set of 20, 6 lean warm, 0 lean cool and 14 stay close to neutral. On average they change contrast by +15 and saturation by +9; 8 boost colour, 5 add visible grain and 3 add a noticeable vignette.

Looking for the contact-sheet view with six filters per image, plus how the tool works? See the full guide to all 467 filters.

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All 20 Experimental FX filters

1. 3D Depth Tone

Simulated depth — warm foreground, cool background separation.

This preset leans warm, lifts exposure slightly and adds some contrast. For depth it uses blue-tinted shadows. On top of that it applies extra clarity. The look is finished with a light vignette.

Brightness +4 · Contrast +18 · Saturation +10 · Gamma 1.02 · Warmth (R−B) +8 · Clarity +12 · Vignette 20 · Grain 4 · Sharpen 1

Before and after comparison of the 3D Depth Tone photo filter (Experimental FX) on the sample photo
3D Depth Tone: before (left) and after (right).
Sample photo with the 3D Depth Tone filter (Experimental FX) fully applied
3D Depth Tone applied at 100% strength.

2. Chromatic Aberration

Lens chromatic aberration — purple fringing, colour edge distortion.

Applied at 100%, it boosts colour and adds some contrast. It also adds warm red-tinted shadows and warm golden highlights. It closes with a light vignette and a touch of grain.

Brightness +3 · Contrast +14 · Saturation +16 · Gamma 1 · Warmth (R−B) +4 · Clarity +5 · Vignette 18 · Grain 10

Before and after comparison of the Chromatic Aberration photo filter (Experimental FX) on the sample photo
Chromatic Aberration: before (left) and after (right).
Sample photo with the Chromatic Aberration filter (Experimental FX) fully applied
Chromatic Aberration applied at 100% strength.

3. Colour Channel Split

Extreme RGB split — maximum channel separation for surreal effect.

The grade boosts colour, leans warm, pulls green out for a magenta lean and adds some contrast. Colour is split-toned with warm red-tinted shadows and warm golden highlights. Final touches: a light vignette and a touch of grain.

Brightness +2 · Contrast +18 · Saturation +22 · Gamma 1 · Warmth (R−B) +8 · Clarity +5 · Vignette 18 · Grain 12

Before and after comparison of the Colour Channel Split photo filter (Experimental FX) on the sample photo
Colour Channel Split: before (left) and after (right).
Sample photo with the Colour Channel Split filter (Experimental FX) fully applied
Colour Channel Split applied at 100% strength.

4. Double Exposure

Double exposure mood — lifted shadows, faded contrast, dreamlike overlap.

At full strength it brightens the frame and opens up the midtones. The look is split-toned with blue-tinted shadows and warm golden highlights. It also applies a soft blur of about 1 px for a dreamy look. To finish, it adds a light vignette and a touch of grain.

Brightness +14 · Contrast −8 · Saturation +8 · Gamma 1.2 · Warmth (R−B) 0 · Clarity −5 · Vignette 10 · Grain 8 · Blur 1

Before and after comparison of the Double Exposure photo filter (Experimental FX) on the sample photo
Double Exposure: before (left) and after (right).
Sample photo with the Double Exposure filter (Experimental FX) fully applied
Double Exposure applied at 100% strength.

5. Duotone Gold Blue

Duotone two-colour effect — gold highlights and deep blue shadows.

This preset softens colour and adds strong contrast. For depth it uses blue-tinted shadows and warm golden highlights. On top of that it applies extra clarity. The look is finished with a light vignette and a touch of grain.

Brightness +3 · Contrast +25 · Saturation −20 · Gamma 1 · Warmth (R−B) 0 · Clarity +8 · Vignette 22 · Grain 6 · Sharpen 1

Before and after comparison of the Duotone Gold Blue photo filter (Experimental FX) on the sample photo
Duotone Gold Blue: before (left) and after (right).
Sample photo with the Duotone Gold Blue filter (Experimental FX) fully applied
Duotone Gold Blue applied at 100% strength.

6. Duotone Pink Dark

Duotone pink-to-black — vivid hot pink highlights over pure black shadows.

Applied at 100%, it softens colour, settles the midtones a bit darker and adds strong contrast. It also adds warm golden highlights. Beyond that it applies extra clarity. It closes with a noticeable vignette and a touch of grain.

Brightness +2 · Contrast +32 · Saturation −15 · Gamma 0.96 · Warmth (R−B) +3 · Clarity +8 · Vignette 25 · Grain 6 · Sharpen 1

Before and after comparison of the Duotone Pink Dark photo filter (Experimental FX) on the sample photo
Duotone Pink Dark: before (left) and after (right).
Sample photo with the Duotone Pink Dark filter (Experimental FX) fully applied
Duotone Pink Dark applied at 100% strength.

7. Fade White

Fades to white at edges — soft ethereal white-out vignette.

The grade brightens the frame and opens up the midtones. Colour is split-toned with blue-tinted shadows and warm golden highlights.

Brightness +10 · Contrast −8 · Saturation −5 · Gamma 1.16 · Warmth (R−B) +1 · Vignette -35 · Grain 4

Before and after comparison of the Fade White photo filter (Experimental FX) on the sample photo
Fade White: before (left) and after (right).
Sample photo with the Fade White filter (Experimental FX) fully applied
Fade White applied at 100% strength.

8. Film Scratch

Damaged film — grain, contrast and aged film character.

At full strength it leans warm, gently lifts the midtones and adds strong contrast. To finish, it adds a noticeable vignette and heavy film grain.

Brightness +2 · Contrast +20 · Saturation −8 · Gamma 1.04 · Warmth (R−B) +8 · Clarity +5 · Vignette 28 · Grain 38

Before and after comparison of the Film Scratch photo filter (Experimental FX) on the sample photo
Film Scratch: before (left) and after (right).
Sample photo with the Film Scratch filter (Experimental FX) fully applied
Film Scratch applied at 100% strength.

9. Glitch RGB

RGB channel glitch — severe chromatic split with digital corruption feel.

This preset boosts colour, leans warm, pulls green out for a magenta lean and adds strong contrast. For depth it uses warm red-tinted shadows and warm golden highlights. The look is finished with a light vignette and visible film grain.

Brightness +3 · Contrast +22 · Saturation +20 · Gamma 1 · Warmth (R−B) +10 · Clarity +5 · Vignette 20 · Grain 18 · Sharpen 1

Before and after comparison of the Glitch RGB photo filter (Experimental FX) on the sample photo
Glitch RGB: before (left) and after (right).
Sample photo with the Glitch RGB filter (Experimental FX) fully applied
Glitch RGB applied at 100% strength.

10. Gradient Map Warm

Gradient map tone — shadows go teal-blue, highlights amber-orange.

Applied at 100%, it adds strong contrast. It also adds blue-tinted shadows and warm golden highlights. Beyond that it applies extra clarity. It closes with a light vignette and a touch of grain.

Brightness +3 · Contrast +22 · Saturation +10 · Gamma 1 · Warmth (R−B) +4 · Clarity +8 · Vignette 20 · Grain 6 · Sharpen 1

Before and after comparison of the Gradient Map Warm photo filter (Experimental FX) on the sample photo
Gradient Map Warm: before (left) and after (right).
Sample photo with the Gradient Map Warm filter (Experimental FX) fully applied
Gradient Map Warm applied at 100% strength.

11. Holographic

Iridescent holographic — shifting rainbow colours, metallic and futuristic.

The grade pushes colour to a vivid level, lifts exposure slightly and adds some contrast. Colour is split-toned with blue-tinted shadows and cool, icy highlights. In addition it applies extra clarity. Final touches: a light vignette and a touch of grain.

Brightness +5 · Contrast +18 · Saturation +50 · Gamma 1 · Warmth (R−B) −5 · Clarity +8 · Vignette 15 · Grain 6 · Sharpen 1

Before and after comparison of the Holographic photo filter (Experimental FX) on the sample photo
Holographic: before (left) and after (right).
Sample photo with the Holographic filter (Experimental FX) fully applied
Holographic applied at 100% strength.

12. Light Leak Art

Artistic light leak — warm red-orange wash flooding from edges.

At full strength it boosts colour, adds a clearly warm, orange cast, lifts exposure slightly and gently lifts the midtones. The look is split-toned with warm red-tinted shadows and warm golden highlights. It also adds some contrast. To finish, it adds visible film grain.

Brightness +6 · Contrast +10 · Saturation +22 · Gamma 1.08 · Warmth (R−B) +39 · Vignette -8 · Grain 22

Before and after comparison of the Light Leak Art photo filter (Experimental FX) on the sample photo
Light Leak Art: before (left) and after (right).
Sample photo with the Light Leak Art filter (Experimental FX) fully applied
Light Leak Art applied at 100% strength.

13. Matte Fade Black

Fades to black at edges — cinematic dark matte vignette.

This preset gently lifts the midtones and adds some contrast. The look is finished with a heavy vignette that darkens the edges and a touch of grain.

Brightness +3 · Contrast +12 · Saturation −5 · Gamma 1.04 · Warmth (R−B) −1 · Clarity +5 · Vignette 58 · Grain 6

Before and after comparison of the Matte Fade Black photo filter (Experimental FX) on the sample photo
Matte Fade Black: before (left) and after (right).
Sample photo with the Matte Fade Black filter (Experimental FX) fully applied
Matte Fade Black applied at 100% strength.

14. Posterized Film

Posterized film — limited colour palette with grain texture.

Applied at 100%, it boosts colour, settles the midtones a bit darker and adds very punchy contrast. Beyond that it applies extra clarity. It closes with a light vignette and visible film grain.

Brightness +3 · Contrast +40 · Saturation +25 · Gamma 0.92 · Warmth (R−B) +3 · Clarity +10 · Vignette 14 · Grain 20 · Sharpen 1

Before and after comparison of the Posterized Film photo filter (Experimental FX) on the sample photo
Posterized Film: before (left) and after (right).
Sample photo with the Posterized Film filter (Experimental FX) fully applied
Posterized Film applied at 100% strength.

15. Prism Effect

Prism colour separation — rainbow-like channel split on edges.

The grade pushes colour to a vivid level, lifts exposure slightly and adds some contrast. Colour is split-toned with blue-tinted shadows and warm golden highlights. Final touches: a light vignette and a touch of grain.

Brightness +5 · Contrast +16 · Saturation +38 · Gamma 1.02 · Warmth (R−B) 0 · Clarity +5 · Vignette 15 · Grain 8

Before and after comparison of the Prism Effect photo filter (Experimental FX) on the sample photo
Prism Effect: before (left) and after (right).
Sample photo with the Prism Effect filter (Experimental FX) fully applied
Prism Effect applied at 100% strength.

16. Selective Colour Pop

Boosts select colour channels — saturates reds and blues, mutes greens.

At full strength it leans warm, pulls green out for a magenta lean and adds some contrast. The look is split-toned with warm red-tinted shadows and warm golden highlights. It also applies extra clarity. To finish, it adds a light vignette.

Brightness +3 · Contrast +14 · Saturation 0 · Gamma 1 · Warmth (R−B) +6 · Clarity +12 · Vignette 12 · Grain 4 · Sharpen 1

Before and after comparison of the Selective Colour Pop photo filter (Experimental FX) on the sample photo
Selective Colour Pop: before (left) and after (right).
Sample photo with the Selective Colour Pop filter (Experimental FX) fully applied
Selective Colour Pop applied at 100% strength.

17. Soft Bloom

Photographic bloom — bright areas bleed soft light into shadows.

This preset brightens the frame and opens up the midtones. For depth it uses warm red-tinted shadows and warm golden highlights. On top of that it flattens contrast for a soft, faded feel and applies a soft blur of about 2 px for a dreamy look.

Brightness +16 · Contrast −12 · Saturation +8 · Gamma 1.22 · Warmth (R−B) +3 · Clarity −8 · Vignette 5 · Grain 3 · Blur 2

Before and after comparison of the Soft Bloom photo filter (Experimental FX) on the sample photo
Soft Bloom: before (left) and after (right).
Sample photo with the Soft Bloom filter (Experimental FX) fully applied
Soft Bloom applied at 100% strength.

18. Split Color

Split toning — contrasting warm highlights vs cool shadows.

Applied at 100%, it boosts colour and adds some contrast. It also adds blue-tinted shadows and warm golden highlights. Beyond that it applies extra clarity. It closes with a light vignette and a touch of grain.

Brightness +3 · Contrast +18 · Saturation +15 · Gamma 1 · Warmth (R−B) 0 · Clarity +8 · Vignette 18 · Grain 5 · Sharpen 1

Before and after comparison of the Split Color photo filter (Experimental FX) on the sample photo
Split Color: before (left) and after (right).
Sample photo with the Split Color filter (Experimental FX) fully applied
Split Color applied at 100% strength.

19. Texture Overlay

Film texture overlay — adds physical grain and micro-texture character.

The grade lifts exposure slightly and gently lifts the midtones. In addition it adds some contrast and applies extra clarity. Final touches: a light vignette and heavy film grain.

Brightness +4 · Contrast +14 · Saturation −5 · Gamma 1.04 · Warmth (R−B) +2 · Clarity +8 · Vignette 16 · Grain 30 · Sharpen 1

Before and after comparison of the Texture Overlay photo filter (Experimental FX) on the sample photo
Texture Overlay: before (left) and after (right).
Sample photo with the Texture Overlay filter (Experimental FX) fully applied
Texture Overlay applied at 100% strength.

20. Tri-Tone

Three-tone colour map — distinct shadow, midtone and highlight colours.

At full strength it adds strong contrast. The look is split-toned with blue-tinted shadows and warm golden highlights. To finish, it adds a light vignette and a touch of grain.

Brightness +3 · Contrast +24 · Saturation −5 · Gamma 1 · Warmth (R−B) 0 · Clarity +6 · Vignette 16 · Grain 8

Before and after comparison of the Tri-Tone photo filter (Experimental FX) on the sample photo
Tri-Tone: before (left) and after (right).
Sample photo with the Tri-Tone filter (Experimental FX) fully applied
Tri-Tone applied at 100% strength.

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